chitr:Prev.png |
shrimadbhagavadgita sadhak-sanjivani hindi-tika -svami ramasukhadas
pancham adhyay sanbandh- karmayog ka varnan karake ab bhagavan punah saankhyog ka vistarapoorvak varnan karate haian. sarvakarmani manasa sannyasyaste sukhan vashi . vyakhya- ‘vashi dehi’- iandriyaan, man, buddhi adi haian. mamata-asakti hone se hi ye manushy par apana adhikar jamate haian. mamata-asakti n rahane par ye svatah apane vash mean rahate haian. saankhyayogi ki iandriyaan, man, buddhi adi mean mamata-asakti n rahane se ye sarvatha usake vash mean rahate haian. isaliye yahaan use ‘vashi’ kaha gaya hai. jab tak kisi bhi manushy ka prakriti ke kary[2] ke sath kinchinmatr bhi koee prayojan rahata hai tab tak vah prakriti ke ‘avash’ arthat vashibhoot rahata hai- ‘karyate hyavashah karm sarvah prakritijairgunaiah’.[3] prakriti sadaiv kriyashil rahati hai. atah prakriti se sanbandh bana rahane ke karan manushy karmarahit ho hi nahian sakata. parantu prakriti ke kary sthool, sookshm aur karan- tinoan shariroan se mamata- asaktipoorvak koee sanbandh n hone se saankhyayogi unaki kriyaoan ka karta nahian banata. yadyapi saankhyayogi ka sharir ke sath kinchinmatr bhi sanbandh nahian hota tathapi logoan ki drishti mean vah shariradhari hi dikhata hai. isiliye use ‘dehi’ kaha gaya hai. ‘navadvare pure’- shabdadi vishayoan ka sevan karane ke liye do kan, do netr, do nasikachhidr tatha ek mukh- ye sat dvar sharir ke oopari bhag mean haian, aur mal-mootr ka tyag karane ke liye guda aur upasth- ye do dvar sharir ke nichale bhag mean haian. in nau dvaroan vale sharir ko ‘pur’ arthat nagar kahane ka tatpary yah hai ki jaise nagar aur usamean rahane vala manushy- donoan alag-alag hote haian, aise hi yah sharir aur isamean rahane ka bhav rakhane vala jivatma- donoan alag-alag haian. jaise nagar mean kriyaoan ko apani kriyaean nahian manata, aise hi saankhyayogi sharir mean hone vali kriyaoan ko apani kriyaean nahian manata. ‘sarvakarmani manasa sannyasy’- isi adhyay ke athavean-navean shlokoan mean sharir, iandriyaan, man, buddhi aur pranoan ke dvara hone vali jin terah kriyaoan ka varnan hua hai, un sab kriyaoan ka bodhak yahaan ‘sarvakarmani’ pad hai. yahaan ‘manasa sannyasy’ padoan ka abhipray hai- vivek poorvak man se tyag karana. yadi in padoan ka arth keval manase tyag karana mana jay to dosh ata hai; kyoanki man se tyag karana bhi man ki ek kriya hai aur gita man se hone vali kriya ko ‘karm’ manati haian- ‘shariravanmanobhiryatkarm prarabhate narah’.[4] sharir se hone vali kriyaoan ke kartapan ka manas se tyag karane par bhi man ki[5] kriya ka kartapan to rah hi gaya. atah ‘manasa sannyasy’ padoan ka tatpary ka tyag karana arthat kartapan se mane hue sanbandh ka tyag karana. jahaan se kartapan ka sanbandh mana hai, vahian se us sanbandh ka tyag karana hai. saankhyayogi apane mean kartapan n manakar use sharir mean hi chho d deta hai arthat kartapan sharir mean hi hai, apane mean kabhi nahian. |
chitr:Next.png |
tika tippani aur sandarbh
sanbandhit lekh
shlok sankhya | vishay | prishth sankhya |
varnamala kramanusar lekh khoj